Slipping Out

I’ll only miss my body, and it’s the one telling me to go

Star Balloon

by

John Rhoades

Season Categories Published
MP314 Fiction

Apr 06, 2021


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The Empyrea Senior Community’s public line is to weather this pandemic like a storm. Batten the hatches. Seal the doors and windows. No visitors, no public meals, orderlies are to be our only contact. I am only let free for the sake of my dog, Charley.

Today, we wander the garden. It’s that or the parking lot. While Charley pees on the petunias I wave a merry hand to my neighbors, locked away for their own safety. Most shades are drawn, who knows what life beats beyond them. When Charley stops to sniff the irises, I pull him away and pick them. They are a deep purple, almost black, and their yellow pollen looks like stars against a gloaming sky. They will be as good a memento as any. I knock on Magda’s window. The orderlies are too busy to notice our mutiny. She cracks the window, I slip her the flowers, she pats my hand, and I steal away.

An orderly left lunch by my bedside. They moved my book, knocked over my plastic cherry blossoms, and the TV remote is on the olive-green linoleum floor. The chicken is frozen and there is no fork. I push it to the floor for Charley. He doesn’t sniff it, only harrumphs with his nose held high and waltzes to his vermillion and downy bed. My fault. I forgot that he is a dignified Frenchman. I genuflect to his preeminent poodle mien in apology. Let the chicken rot, we’re not staying long.

The book the orderly moved is one I wrote. It is about neutrinos. Carl Sagan read it and bought me a drink. The Evangelicals read it and called it a piece of Atheistic idealism. I don’t know which testimonial is dearer to my heart.

I wrote the book as a young woman. The gravity of my personhood was orders of magnitude greater then. I had an office, a desk too heavy to lift, an assistant, and a Meteor Pen. Meteor fragments were fused into its body. Each time I signed my name, always in purple, the event horizon of scientific endeavor shifted, for better or worse, slightly.

When I reread the book in my Altoid-can room, the pages talk less of neutrinos and more of little old ladies. Especially little old ladies reduced to spying on neighbors for entertainment.

I see neutrinos as cosmic voyeurs. Fired out of starry crucibles, they fly uninhibited to the universe’s edge. They are so small, with such a slight mass, that they can slip through an entire planet like an Odyssean arrow, missing every single atom. Some call them ghosts. But even a ghost can rattle the pans, slam a door, and raise goosebumps on the back of your neck. Neutrinos were invited to the cosmic ball but were never asked to dance.

I feel that way. From my thread-bare chair, I run my knotty fingers over the TV remote buttons. The faults and the fears of the world centrifuge before me on the TV. It’s a maelstrom in the elderly quietude of my Salvation Army chic refuge. Charley can ignore it. He hasn’t been political since the Kyoto Protocol floundered. Yet I reel. Sometimes, I think I can hold the world. That I might cut it, mold it, shape it with my Meteor Pen. But generally, it is beyond me. I am an old crone in duckie slippers. The world turns and I watch, pulling stuffing from my chair, just to prove that I’m still real. 

My daughter’s family brought me balloons before the quarantine began. They float haphazardly from slackened strings. They are my calendar. I measure the pandemic by how close to the ground they sink. And they are my scrapbook. Willem Dyer gave me a green one when we graduated college, a blue one on our wedding day, and filled our first house with purple ones before I ever stepped through the door. I brought a bouquet of yellow ones to his wake. My daughter’s are red. They bobble above my unused desk. If I could still wield my pen legibly, I would attach little notes to these balloons and send them out the window. Send Help, SOS, A hundred bucks and a pack of smokes to whoever gets me out.

When I watch the bumbling bumping of the balloons my mind grows unmoored. It shoots beyond the Earth’s orbit, through the Kuiper Belt, and out past the Oort Cloud. The nurses think I’m feeble-minded. I am slow to respond to their questions and rarely track what they say. But I am simply preparing.

I will become a neutrino, so I must travel as they travel. Light.

Imagine the eons of their journey. They spend millennia shooting toward distant starry pinpricks, and FM radio gets spotty past the ionosphere. Memory becomes their only in-flight entertainment. They log light-years in reminiscence.

So I pick my memories out like outfits. The smell of springtime wisteria as I receive my PhD, illicit love with Leonard in a lumpy bed, my daughter’s chubby finger tracing my palms like a star chart. And I pack them away.

There’s nothing else to take. I’ve looked around my dowdy room for anything. The armchair, with its brown Ike-shaped stain, was here when I arrived. Someone (Magda) stole my jewelry box. I’d take the scarlet poppy paintings but they’re only prints, and shoddy ones at that. Charley will miss his toys, but he sees sacrifice as divine.

I’ll only miss my body, and it’s the one telling me to go.

My back says I can’t reach Charley’s canned food on the bottom shelf. My knees are a constant crackling peanut gallery. Conversations with my family are dependent on my mind’s mercurial focus. Most are punctuated with a continuous “Mom you still there?” Simply, my body is tired. Where once there was a wellspring of vitality and energy enough to leave a phallus in the admin’s attendance chart, now there’s only a fart of get-up-and-go and my stomach is too frail for more beans.

Charley’s coming too. We both itch to leave. To wander. We once wanted our own piece of the Berlin wall. To pee in every ocean. But now our gaze drifts upward. A star was just born, and I want to see it before it dies. Magda’s naked cat says Teergarden B has life and Charley wants to sniff it. I promised Charley a visit to the dog star, and Saturn winks at me every night. For now, we entertain ourselves simply; picking fossils from the pebble path; slipping the squirrels my valium; and twirling for the mirror in moth-eaten gowns.

There’s not long to go now. We are neutrinos in everything but form and that will change as well. 

Tonight, Charley and I will wait for the dinner time orderly. She will let me use her phone to call my family. I want to hear them shout, “We love you Gran!” loud enough for me to hear. Next, I will open the windows and release the balloons, they don’t do well caged. Charley will reread his will, everything to the squirrels, can’t let Magda’s cat get the toys. We will both joyfully relieve ourselves one last time. Charley on the chicken, I on the remote. With that done I will hold Charley in my arms and we will turn into neutrinos.

The process is simple. Neutrinos are only the byproducts of decay. The potassium in our bodies creates them naturally. I think of each as an escape pod from my body. Charley and I will each hijack our own little pod and flee. We will become balloons, slipping from our bodies, passing through the ceiling, and then floating into the stars.

We will observe the dimming firelight of the universe. We will see galaxies sail into each other; accretion jets form, ignite, and fade; black holes whirl space through the cosmic washing machine; and finally, see entropy waste it all away.

We will be there for it all. Until finally, when all but the last few photons burn like fireflies around us, I will pick one as a flower for Charley. He will sniff it, I will pat his paw, and we shall turn out the midnight lights and slip away. ▩


The Dog Lacuna

Narendra Modi’s India

by

Julia Mason

Season Categories Published
MP203 Featured

Mar 03, 2020


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On the morning of the riots I woke up, starfished on my bed beneath the single, fluttering ceiling fan. Outside, the city was rattling into life. Children played in the street, someone rang a bell for Puja, neighbors conversed, pigeons cooed sweet promises of violence to each other and menaced sparrows off the choicest window ledges, dogs barked themselves into hysteria, and underneath it all was the somnolent humming of pollen-smeared bumblebees clustered around the trumpet vines. By local standards, it was quiet in the city.

But all was not well. Somewhere in Jaipur’s old city, a police officer had stopped a Muslim couple on a motorcycle. An argument ensued, things escalated, and the driver was arrested. The family cried foul, people gathered outside the police station, and someone panicked and fired into the crowd. A young man was killed. The crowd scattered, then returned as a mob. Shop windows were smashed, stores looted. Rumors spread of snipers on the rooftops. The authorities declared a curfew until order was restored, and ‘to prevent the dissemination of misinformation,’ they shut down the city’s internet service.

So, as the city ground into lockdown, I lay in bed and sweat pooled between my body and the sheets until my limbs were sticky with salt. The waiting was interminable. But there was nothing else to do so there I remained, restive, straining my ears, hoping and not hoping to hear what was happening outside. 

Slowly, sounds began to reach me. First was the ceaseless honking. In Jaipur, there are no discernible lanes, just a river of vehicles which swerve around each other at will. To indicate that someone wants to pass, move over, slow down, speed up, turn or perform any of the other functions that vehicles do, it is customary to honk. For those of us who come from a culture in which honking is considered an act of vehicular aggression, everyday life in Jaipur feels like an auditory assault. Eventually, the body adjusts, and the incessant honking fades into the background like extraordinary static.

At a pitch just above the hum and growl of cars lies the hubbub of human speech.  In the streets, people are always yelling, calling out, praying, gossiping, and bartering in a plethora of languages. Although English is one of the most commonly spoken languages in India, foreigners often find themselves drowning in a sea of unfamiliar syllables. India is a country of polyglots. Of the 1,562 individual languages recognized by the Indian National Census, at least 150 languages have significant speaking populations, to say nothing of the dialects.

Without English, I felt unmoored, adrift in an ocean of words I couldn’t decipher. The day of the riots, waiting for someone to explain what was going on and why I couldn’t go outside, I could feel my world constricting. Listening to Hindi meant nothing to me; these foreign words divorced from their meaning were simply another set of noises, distinct yet impenetrable, just like the cooing of pigeons, occasionally punctuated by exploding fireworks and the hysterical barking of dogs, which here are ubiquitous, ownerless, and bold. What is more, they are loud. Their howling, yipping, snarling, whining, barking, crying, and yelping oscillates across the auditory landscape. 

The dogs of Jaipur are shaggy-coated, muddy-pawed, garbage-eating mongrels with insolent tongues lolling between decaying teeth. No matter where you go, you will see them. There are street puppies of indeterminate and varying ages, from squirming puddles of blind and helpless newborns to strapping young starvelings gnawing possessively on scavenged bone shards. Some are unsightly: the bitches with swollen and pendulous teats from litter after litter of pups and old, sick ones gone ragged with mange. 

Pariah dogs, they are called, the genetic descendants of wild dogs and escaped pets. They eat waste produced by humans, steaming mountains of rotting food and plastic that pile up in the streets. Without fences or municipal trash collectors to thwart them, these dogs live in villages, cities, and everywhere in between. In the dusty villages of the Gangetic plain, dogs snooze in the sun and frolic in the rice paddies. In Agra, in the shadow of the Taj Mahal, insouciant hounds yelp and go about their canine business. You can see them sprawling in the shade, slouching down alleys, begging, eating trash, scratching their rumps, shitting insolently in the road, and sleeping on street corners and under cars. 

The family I stayed with in Jaipur also had a dog. His name was Romeo. He was a certified purebred Papillon of excellent pedigree, with a coat the color of fresh snow in the Himalayas and a nervous disposition. Every week he was sent to a groomer to be shampooed and conditioned and to have his nails trimmed. Without these timely interventions his fur would have become clumpy and unmanageable, and his claws would have skittered and slid on the tiles. 

Romeo had one of those mysterious esoteric conditions which strikes animals whose existence is superfluous and contrived. The combination of a genetic bottleneck in his venerable heritage and intolerable levels of pampering he endured produced in him a curious neuroticism. Though in all fairness it’s probably reasonable to be a little neurotic if one’s predetermined purpose in life is to be small enough to fit in a handbag. 

I felt a strange kinship with Romeo. He and I were both helpless and pampered. The family Romeo and I lived with in Jaipur owned many hotels and lived in the casual opulence of the very wealthy. They were Rajput, and descended from royalty. Romeo and I wanted for nothing; our worlds were circumscribed by luxury—yet without constant care and special attention, we both surely would have perished. Romeo needed grooming, walks, affection; I needed specially filtered water, foods that wouldn’t upset my delicate American constitution, and constant translation. 

Americans abroad are notorious for expecting people to cater to our monolingual lifestyle and for behaving as if people who don’t speak English are somehow remiss. I never felt that way. I wanted to learn Hindi. I struggled hopelessly with declined fricatives and glottal stops. There were no loan words, none of the same grammar rules, nothing comforting or familiar. I trudged through memorization, learned how to say “What animals do you rear?” and “She takes the red sari to mother.” It wasn’t scintillating conversational material, but I kept trying, if only out of the desire to feel less like an ornamental lap dog. Once I managed to inform my uber driver that “Many students are reading about India.” My diction was flawless. But he only spoke Urdu.

  Because my Hindi was so limited, I was reduced to facial expressions and hand gestures. Asking for directions meant elaborate pantomime, like the world’s longest game of charades. I was reliant on the translations of others to understand the significance of events around me, but I didn’t always trust my interpreters. My host father’s confident assertions that Shiv Sena, a far right political party with a violent history and ties to fascist ideology didn’t matter because its efforts were concentrated in the state of Maharashtra, and that ‘Muslims are trying to take over the world, it is in their holy book,’ shook me deeply. On such occasions, I wanted to argue; instead I said nothing. It is very hard to mime, “I appreciate your kindness as a host, but vehemently disagree with your political views which I find extremely dangerous.” Mute and furious, I retreated to my room.   

Without language to order my life by I couldn’t debate politics, but my other senses seemed to improve. I lived in a world of sensory events. The specialized cells that make up my eyes still informed me of the orange and pink wonder of a sunset and the slanting of the light on pigeon’s wings. I watched smoke billow from burning fields in Punjab as farmers hurried to clear them for planting, inhaled the spicy sweetness of marigolds mingling with the staid earthy scent cow manure, and felt the urgency of thirst and the stickiness of sweat drying on my skin.  

The world was so bright and sharp, it made my head spin. But I still yearned to interrogate, to discern the reasons for events. Why were farmers compelled to burn their own fields? Why were some altars decorated with vibrant wreaths of flowers and others unattended? Why was that skinny cow wandering through the traffic?

In time I noticed other things too, like how the face of India’s Prime Minister, Narendra Modi was everywhere. Modi was always staring beatifically yet sternly from televisions, billboards, posters, banners, accompanied by a string of Hindi–slick campaign promises, no doubt. Everyone I spoke to in Rajasthan seemed to love him. They cited his “incorruptibility” and hailed him as an economic visionary. 

In the U.S., people tend to focus more on less savory aspects of the Modi regime. As governor of Gujarat, Modi presided over anti-Muslim riots that left thousands dead and injured. His rise to power has been predicated on suspicion toward Muslims and other religious minorities. Under his rule, Hindu nationalists have harassed and murdered uncooperative journalists. The week I arrived in Rajasthan, Gauri Lankesh, fearless journalist, campaigner for women’s rights, and outspoken critic of the BJP, was murdered by three men outside her home. The “New India” Modi and his supporters promise is for Hindus alone. 

A bystander always, I grew quieter and quieter by the day. I asked fewer questions for fear of the responses I might hear. Now, this seems craven. As a foreigner, I could have spoken against the BJP’s excesses without fear of retribution. And still, I said nothing. I nodded politely. I reminded myself that I was a guest here. I tried to make my opinions small and unobtrusive. 

Instead of arguing, I studied. Hindi remained as unyielding and incomprehensible as ever.  By the end of my time in India, I had memorized the devanagari script. I could laboriously sound out words but I couldn’t understand them. I still know how to say “excuse me,” “I am well,” “goat,” and “vegetable.” Yet so much remained beyond me, not just in Hindi, but in English too. I was haunted by things I saw, things I felt couldn’t be explained in any language — they spoke for themselves. 

Once, while stranded in the train station of a little town only a few kilometers from the Pakistani border, I noticed half of a dead dog. Pacing nervously around the platform, waiting in the gathering dusk for a train that would never arrive, I almost didn’t see it at all. As I walked closer to the tracks, a cloud of corpse flies rose up and with a giddy jolt of comprehension, I glimpsed the flank of a dog which had been snipped neatly in two. 

It was nothing like the routine gore of roadkill. This dog was sliced so cleanly through the middle that its rear end lay on the other side of the tracks. There was hardly any blood. The last locomotive had severed it with such force that the twin halves of what had recently been a trash-eating, tongue-lolling, cat-chasing mongrel were disunited with surgical precision. 

I still think about that dog sometimes. The carcass comes looming up out of my subconscious, every detail sharp as if it were yesterday. I remember the iridescence of the flies that settled there, the slow way the sun hovered low and red in the sky over the mostly empty train station, how the dog’s two sections steamed gently in the cool evening air. ▩